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Re-Records:

About Re-Records

Re-Records is a record label initiated by experimental electro-acoustic duo No One Pulse from Hong Kong. With Re, we don't solely aim to be an outlet for releasing self initiated or other affiliated projects, but also for artists and releases we deem interesting.

Other than standard releases, our catalogue includes:

Doc: Documentary/Documents on archiving art related projects, exhibitions, and installations.

On: On Location, an attempt to focus on field recordings and other site specific recordings.

Homepage: www.re-records.com

Email: info@re-records.com
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Artist:Yan Jun。Wong Chung-fai

Title:M

Cat. No.:RE-CD-007R

Format: 5"CDR

M is a special improvisation project initiated by Yan Jun and Wong Chung-fai. The first performance of M was presented in Shenzhen (Neo Sound, 2009). In the same year, another performance was presented in Beijing (Waterland Kwanyin, 2009), with Yan Jun and Wong Chung-fai improvising on Harmonic Field. It is a unique instrument designed and handmade by American sound art device artists, Arius Blaze and Ben Houston of Folktek. No keyboard. No strings. Only forty-eight metal contact points. The performer is required to use his/her body as part of the circuitry to generate sounds.

M is a documentation of the mentioned two performances.

Biography:

Yan Jun
Yan Jun, working with sound and language.

Born in Lanzhou in 1973. Based in Beijing. B.A. of Chinese Literature.

As an improviser he uses feedback noise in recent concerts. sound influenced by PA, space and audience’s movement. observe rather than express. a portable project “micro feedback”: for hypnotize audience by earphone.

Occasionally use sunflower seeds as instrument. also field recording, site-specific sound, writing, publishing, curating.

Founder of Sub Jam/Kwanyin Records. Member of FEN (Fareast Network). Has toured around China and internationally.

2011: Asian Culture Council residency in New York; Rotterdam International Poetry Festival; Honorary Mention of Prix Ars Electronica; Living Room Tour project Beijing…

Wong Chung-fai
Also known as Sin:Ned, an idiosyncratic improviser, experimentalist, live-visualist, mirco-curator and free-lance writer from Hong Kong. Also co-founder of the experimental imprint Re-Records, member of the electro-acoustic duo No One Pulse, and Advisor of soundpocket.

Being a veteran writer of the legendary Hong Kong alternative music magazine MCB (Music Colony B-Weekly), his writings had influenced a wide spectrum of experimental musicians and listeners. While not writing as a pseudo-music critic elaborating his esoteric worldview, in the same idiosyncratic fashion, he spends much of his time hacking and sculpting sonic materials with his laptop and various non-standard electronic gears. With his on-going experimentation embracing improvisation, noise, errors, chaos and randomness, he has been re-visioning an unorthodox sound-making process expressed in extreme dichotomies, and driven by intuition and direct experience.

He has offered performance and creative work for concert, sound installation, workshop, audio-visual and theatrical performance. He had taken part and performed in various art events such as HK Sound and Vision Festival (2003), Get It Louder (2007), Hong Kong & Shenzhen Biennale of Urbanism/Architecture (2007, 2009), Architecture is Art Festival (2009), Notch Festival 2009 Guangzhou Station (2009).

File under: Circuit Bending, Noise, Improvisation

TRACKLISTING:
01. ~^
Recorded live at Liangcha Shop, Shenzhen, China, May 2009

02. ∴∵
Recorded live at 2 Kolegas Bar, Beijing, China, August 2009

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Artist:KWC

Title:Music for Introverts

Cat. No.:RE-CD-006R

Format: 5"CDR

This is the first full length solo album by KWC, one of the founding members of the Hong Kong electro-acoustic duo No One Pulse.

“Music for Introverts” is an in-depth extension of his interest in microsound and minimalism.

Focusing on sound on the purest level, KWC treated field recording materials (taken during a trip in Beijing) as residues of interaction between one’s emotion and physical environment. An attempt is made to trace the hidden aspects of these sonic materials. The process is like magnifying a picture a thousand times to reveal the unique characteristics of each and every pixel. The microsound treatment on these tiny fragments becomes a metaphor to our memory system that never collects and represents our reality in an untreated, objective way.

It is also an external projection of introspection and introversion, where a retrospective sonic journey, becomes an introspective study on one’s own inner self.

Biography:
While not designing, KWC spends time cutting loops and recording with his non-standard portable devices, he's 1/2 of the electro-acoustic improvisation duo No One Pulse.

While not making sounds, KWC spends time designing under the alias of Sleepatwork and occasionally curating art projects as well.

File under: Electronica, Field Recordings, Soundscape

TRACKLISTING:
01. Onset (6:08)
02. Intro (Version) (4:25)
03. Proverbes No. 2 (2:36)
04. Night (5:22)
05. Dongdaqiao (0:46)
06. Harp (8:35)
07. Transit (1:45)
08. Provernes No.1 (2:26)
09. 20hz (6:26)
10. Notions (5:14)
11. Decay (1:44)

Web site: http://www.myspace.com/anytonekwc

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Artist:shotahirama

Title:Unhappy American Lost in Tokyo

Cat. No.:RE-CD-005R

Format: 5"CDR

Tokyo based sound artist, shotahirama's latest album "Unhappy American Lost in Tokyo", is inspired by the idea of a person with dual nationality and multiple citizenship. It is an attempt to explore the themes of their loneliness, alienation, insomnia, existential ennui, and culture shock against the backdrop of a modern Japanese cityscape. Sounds move across a broad range of spheres from electronic based composition, through to evocative field recordings that seek to reveal those sound spaces largely ignored or inaudible. Capturing sounds as delicate as sand grains in motion, shota uses laptop computers to makes multilayered compositions that blend synthesized melody and conventional musical instruments with harsh, irregular glitch-influenced sounds and washes of white noise. shota also used field-recording materials (taken by shota himself) to create concrete noise for dynamic sounds of drone.

Biography:
shotahirama is a Japanese-American Sound Artist located in Tokyo, inspired by Modern Art, Dada and Bauhaus. Also known for the founding of the Edition NIkO (NIkO Label), ENG (electronoise group) and JANDEATH. His musical focus is characterized by digital synth and field recording with computer software processing and improvisation, which generates a large palette of possible sounds including; grainy textures, complex patterns of smooth drones, and microscopic clicks and cuts. shota' music is electroacoustic in nature, in that both analogue and digital worlds are fused into one.

He has recorded and performed with Zbigniew Karkowski (Mego), Christophe Charles (Mille Plateaux), Chihei Hatakeyama (Kranky), Toshiji Mikawa (ex-Incapacitants), Tetsuo Furudate (Subrosa), ASTRO (Ant-zen), Adachi Tomomi (Tzadik), PainJerk (RRRecords), Justice Yeldham, Government Alpha (VOD), chib (fat cat records), MICLODIET (SOUP), Kelly Churko, Cal Lyall (testtone), Monooka, Yuji Kondo, enormous O'clock (AI Records), Hakobune (U-Cover)...

File under: Electronica, Field Recordings, Soundscape

TRACKLISTING:
01. Dark Night of the Soul (5:24)
02. No Where To Go (8:10)
03. I Come with the Rain (9:41)
04. Shinjuku (10:58)
05. What Was Out There Disappeared (6:00)

Web site: http://www.signaldada.com/


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Artist:Sin:Ned

Title:Dark Side Of The Chord VII

Cat. No.:RE-CD-002R

Format: 5"CDR

Deeply influenced by the Tokyo Psychedelic Underground, Hong Kong experimentalist Sin:Ned created a never-ending and eternally self-referencing world of noise and extreme frequency. The two solo improvisations on modified Omnichord unleashed the full darkness hidden inside the bent circuitry of the instruments. A complex structure of razor sharp power lines running through an endless maze of psychedelic trans-configuration. Free and abstract. Forceful yet intricate. A brutal journey about the poetic of lost soul and dead spirit.

Biography:

An idiosyncratic writer and a sonic artist from Hong Kong, who hacks and twists anything he can put his hands on. Used to be one of the major contributing writers of the legendary Hong Kong alternative music magazine MCB. While not writing as a pseudo-music critic elaborating his esoteric worldview, in the same idiosyncratic fashion, he spends much of his time hacking and sculpting sonic materials with his laptop and various electronic gears.

His interest ranges widely from improvisation, sound art, experimental music, and noise art to field recordings, and had taken part and performed in various festivals and exhibitions such as HK Sound and Vision Festival (2003), Get It Louder (2007), Hong Kong & Shenzhen Biennale of Urbanism/Architecture (2008). His first two solo works, "Uroborus: A Study On No-input Device" and "60 Seconds: A Schizophrenic Manual for Eternity", were both released by Lona Records in 2006. He is also one half of the electro-acoustic concept duo No One Pulse

File under: Circuit Bending, Noise, Improvisation, Psychedelia

TRACKLISTING:
01. Purple Trip (22:38)
02. Emylno (23:19)

Audio Samples: http://re-records.com/discography/re-cd-002r/
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Artist:No One Pulse

Title:E

Cat. No.:RE-CD-001R

Format: 5"CDR

In this second full length album from the Hong Kong electro-acoustic duo, the micro-noise improvisation journey continues. With two long live improvisation cuts and two short studio recordings, E is the place where micro-sound meets noise electronics. If the last album, LINGK (Locd44r), is a revelation of the quantum mechanical sonic world, E is a bold venture in testing the boundary of such sub-atomic territory.

Filed under: Electro-acoustic, Improvisation, Micro-Noise, Experimental

TRACKLISTING:
01. P (20:00)
02. L (04:59)
03. C (26:16)
04: A (02:22)

Audio Samples: http://re-records.com/discography/re-cd-001r/
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Artist:Yan Jun

Title:Lamma Island Diary

Cat. No.:RE-ON-001R

Format: 5"CDR

The first release of our On Location series. From one of the most influential Chinese sound artists of our time. A new master piece that for sure will redefine site-specific and field recordings oriented sound works. This sound diary was recorded in Lamma Island, by Beijing sound artist, Yan Jun, during his stay in Hong Kong for the AROUND sound festival in 2009. The imaginative approach of Yan Jun simply opens up a whole new world for field recordings. From now on, field recordings will never be the same.

Biography:

Yan Jun, working on realm of sound and language.

Yan was born in Lanzhou in 1973, now based in Beijing. B.A. of Chinese Literature.

He works with feedback noise, drone sound, voice, field recording, site-specific sound installation, impro music, environmental sound, writing, publishing and curating. He regard them as one thing.

Yan has founded the Sub Jam and its sub-label KwanYin Records. He runs weekly enevt Waterland Kwanyin and annual festival Mini Midi since 2005.

He has published 5 essay collections about Chinese new music and 3 poetry collections.

File under: Field recordings, Sound art

TRACKLISTING:
01. 有点冷,和楊阳上島去
A bit chilly, on the way to the Island with Yeung Yang
02. 獨自夜行,被蜘蛛網吓了一大跳
Night walk alone, scared by a spider web
03. 你好,狂犬不在家
Hello, the mad dog is not home
04. 在岸邊練声,海风吹破了話筒
Voice practicing at the shore, microphone strongly hit by sea breeze
05. 和李杰野餐,瓜子皮从天而降
Picnic with Lee Kit, shell of melon seed falling down from the sky
06. 綠南丫:海岸植物
Green Lamma: Seaside Vegetation
07. 螞蟻不喜歡蜜,螞蟻喜歡什

Ants don't like honey, what do they like?
08.
算到家了,它从梦中醒來
Finally home, it woke up from dream
09. 外国人住在榕樹灣,香港人來参觀他們
Foreigner lives in Yung Shue Wan, Hong Kong locals come to see them
10. 綠南丫:薇甘菊
Green Lamma: Mile-a-minute Weed
11.
機在天上,蚊子在洞里
Airplane in the sky, mosquito in the hole
12. 用高頻赶蚊子,被咬了两个包
Fighting mosquito with high frequency, got two mosquito bites
13. 入瓮,出瓮,晒太阳
Enter the urn, exit the urn, sun tan
14. 綠南丫:花崗岩向涂鴉 say no
Green Lamma: Granite says no to Graffiti
15. 帶着蜘蛛俠回來,昭男和Jason在喝茶
Coming back with Spiderman, Akio and Jason having tea
16. 最后一夜,雨滴打在窗外的
皮上
The last night, rain drops falling on the window

Audio Samples: http://re-records.com/discography/re-on-001r/

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Artist:Anson Mak

Title:Going Home (Or Not)

Cat. No.:RE-ON-002R

Format: 5"CDR

An academic audio work from the award winning phonograph artist Anson Mak (ex-AMK). In this new CD, she brings to us not only result of her long time research on the endangered sound and community of Kwun Tong (a district soon to be destroyed by the Hong Kong government's urban renewal program), but also a very personal story. Almost like a mini research. Only difference is that, this one is filled with personal significance.

Biography:

Anson Mak is a film, video and sound artist. After graduated from School of Communication at Hong Kong Baptist University in 1991, she worked in TV stations for some time and immediately realized mainstream TV was not a place for her. She first developed her career as an art administrator, working for Urban Service Department, CrossOver Cultural Institute, Hong Kong Arts Centre in its Film/Video Dept. and IFVA (Hong Kong Independent Short Film and Video Awards). At the same time, she continued writing, making music and film/video works in the 90's. She then resumed studies at Dept. of Comparative Literature at University of Hong Kong for an M.Phil, and started part-time teaching in NGOs -- Hong Kong Arts Centre, General Education Unit at Hong Kong University. She later worked as a web site producer and right before the dotcom bomb, she joined School of Creative Media at City University of Hong Kong in 2000. She left to USA in 2004 with an Asian Cultural Council fellowship and continued to explore film/video art in more focus directions -- experimental ethnography, digital communities, and novelty of the medium of super 8 film in the digital era. While experimenting further in moving images and web-based platforms, she was inspired by phonography, sound art of field recording and can't go without it ever since. At present, she is doing a Doctor of Fine Art programme at Royal Melbourne Institute of Technology University. Right before joining AVA, she taught in Dept. of Cultural for the 3 Master of Arts programmes. Since 1999, She was an invited examiner of Hong Kong Arts Development Council. Also, she was a band member of AMK and active in the indie music scene in the 90's.

File under: Field recordings, Sound art

TRACKLISTING:
01. 前倒後數裕民坊
Count, Down to Yue Man Square (13:41)
02. 在裕民坊行街
A Walk In Yue Man Square (3:02)
03. 月華街公園
Yuet Wah Street Park (5:58)
04. 察覺經驗2 - 官塘市中心路旁
Realization 2 – At the Side of the Road of Kwun Tong Town Centre (1:33)
05. 潮州音樂 Remix
Chiu Chow Music Remix (4:15)
06. 火裡火裡去,哪裡哪裡去 - 官塘盂蘭節
Burning, Coming and Going – Kwun Tong Ghost Festival (6:48)
07. 天光墟
Dawn Market (13:59)
08. 月華

Yuet Wah Says (3:27)

Audio Samples: http://re-records.com/discography/re-on-002r/

 

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